Desir Decir – Even the Earnest Learn

a0796268216_16With a title that gives even the most purposeful head case like myself a shot at redemption Desir Decir’s “Even the Earnest Learn” is a shot in the arm for the working class humps and dreamers of the world. Featuring present and former personnel from The Life Eaters, The Everymen and more. It’s a wonder this hard working, hard touring band ever found time to get back into the studio. On their followup to their 2014 debut “Mechanics” the trio of John Feuerbach, Greg Reyes and Mitch Cady return to Killing Horse Records with six songs that display a sense of growth and determination. Upon being handed the CD by the bands drummer earlier today. I was given enough time to thoroughly ingest each song while navigating the series of potholes and traffic congestion we’ve all come to call Hoboken.

The cleverly titled “Postpone the Orioles” jolts you out of your seat with it’s rallying cry “Can’t Stop the Train from Coming”. “Semetary” follows with it’s Ramones inspired opening cry and it’s Johnny Thunders swagger. “Roy’s on the Table” follows with crash course mix of early 80’s Power Cow Punk meets Social Distortions dirty boogie vibe. There is an overall grit and dirtiness going on here that leads me to think these guys have seen many a night both in front of and behind the bar. As each of these six bangers feature a good sense of story telling. While I made earlier comparisons to The Ramones and Johnny Thunders. Closer and more current comparisons can easily be made to Gaslight Anthem, The Legendary Shack Shakers and Desir Decirs’s brethren The Everymen.  Recorded and mixed by the very skillful hands of Mike Moebius at local legend Moonlight Mile Recording. The band will be heading back out on tour in January and plan to release a 7′ inch EP in early 2016. So be on the lookout. J.D.

Available Here

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Jersey City’s Monty Hall Delivers The Metal Goods

Last night I had the rare opportunity to see one of my favorite bands “Kylesa” play an intimate show at Jersey City’s Monty Hall. The Savannah Georgia band has been a favorite of mine since I saw them perform at Hoboken’s Maxwells a few years back. While I had attended Monty Hall’s screening of the documentary “Salad Days” just weeks prior. This was the first time I had the opportunity to see live music. As we drove just a short distance to the show. We found ourselves sharing out memories of the original Maxwellls shows and how they always seemed to get booking right by simply not over booking. Thankfully, Monty Hall immediately reminds show goers of that friendly, well run venue.

Without much of any wait. Ontario Canada’s duo Indian Handcrafts got the party started. As their set progressed, I found myself regretting thinking Kylesa would be the only reason to show up that night. The band played an impressive set that served as a reminder of how you can make a lot of noise with a minimal approach. Drummer Brandyn James Atkins and Guitarist Daniel Brandon Allen traded vocals and their minimalist approach to Metal with impressive results. All while keeping my attention on high and my curiosity regarding their name guessing.

WFMU
Indian Handcrafts (Ontario, Canada) https://indianhandcrafts.bandcamp.com/
WFM2
Richmond, VA.’s Inter Arma http://www.relapse.com/label/artist/inter-arma.html#submenu

As Inter Arma began to take the stage like vikings ascending on a European village. I felt the energy that eluded me entirely during the day rush back. “I’m not too old for this.” “I’m not too old for this.” overwhelmed by thoughts as I surveyed the crowd to find more people of my age range than not. Visually, Inter Arma fir the profile of most of the Metal bands I’ve seen on milk cartons and in magazines over the years. The hair, black clothes, tattoos and dungaree jackets. You know, the usual suspects. Musically however, the Richmond quintet are a sound worthy of both praise and deeper investigation. While my eyes and ears were firmly devoted to Inter Arma’s set. I couldn’t help but think of seeking out any and all of their recorded history once the night was over. All the great qualities of the best metal I’ve heard in recent years. The night was just getting better and better.

Throughout much of the night I experienced something that seems to occur less and less at shows . Members of each band thoroughly enjoying and participating each of the other bands set amongst the crowd. Though that can easily be traced to the spaces intimate nature or perhaps the lack of a large enough room for the bands to chill out in between sets. Regardless, I felt it worth both mention and praise. I can’t begin to stress how hard it was to keep myself from walking straight into guitarist Laura Pleasants and revealing “I’m you figgest ban.” Lucky for all involved, that embarrassment never took place. Instead, I waited until Kylesa’s set took flight before completely losing my shit. While it’s important to note that Savannah, Georgia’s Kylesa are responsible for rekindling my appreciation for Metal and in particular Sludge Metal and Stoner Metal. Watching the band perform such deviant noise live is pure fucking magic. The bands latest album “Exhausting Fire” Here worth more than it’s weight in metallic elements. One can only hope that their tour (Dates Posted Here) them back our way before it’s done.

Kylesa

KylesaII