Unboxing the Past

While American Hardcore showed up on my radar in 1984. It wasn’t until 86′ when I old enough to trade in getting turned away at the gates of CBGB’s to actually getting in and participating. While my earliest shows there included the likes of 7 Seconds, Jodie Fosters Army and Blast. It was the local bands I felt most closely aligned will. As I had gone from trips to Manhattan’s Tower Records and Bleeker Bob’s to seek out records from acts such as the Circle Jerks, Black Flag and The Dead Kennedy’s as early as 84′. It wasn’t until my first visits to nearby Some Records that I really found out what was happening in my ever expanding back yard. Those early trips to Duane’s basement refuge allowed me to get to know the bands and people involved in what was a very communal scene. One of the bands I caught on to early on was the N.Y. Hoods. The Hoods, along with a handful of bands like Krakdown, Side By Side, Sick of it All and Token Entry filled my ears while guiding me on a course I’d follow for years to come.

N.Y. Hoods (1 of 1)

Years later I would sell all my original demo cassettes and first pressings on Ebay. While the monetary returns seem great at the time. The regret I would later feel, far outweighed my choice to sell. Years later, the demo was reissued as a 7′ inch EP, but in all honesty. The reissue could never replace the feeling that little cassette tape gave me. That was until my neighbor and friend knocked on the door. Once again bringing me a blast from our shared past. And while the reels may never again scream out “Mirrors of Reality”. The image itself will allow me to have tangible evidence of a part of my past I am still very fond of. Here’s to the next knock on my door. J.D. 

N.Y. Hoods Lyrics (1 of 1)

Desir Decir – Even the Earnest Learn

a0796268216_16With a title that gives even the most purposeful head case like myself a shot at redemption Desir Decir’s “Even the Earnest Learn” is a shot in the arm for the working class humps and dreamers of the world. Featuring present and former personnel from The Life Eaters, The Everymen and more. It’s a wonder this hard working, hard touring band ever found time to get back into the studio. On their followup to their 2014 debut “Mechanics” the trio of John Feuerbach, Greg Reyes and Mitch Cady return to Killing Horse Records with six songs that display a sense of growth and determination. Upon being handed the CD by the bands drummer earlier today. I was given enough time to thoroughly ingest each song while navigating the series of potholes and traffic congestion we’ve all come to call Hoboken.

The cleverly titled “Postpone the Orioles” jolts you out of your seat with it’s rallying cry “Can’t Stop the Train from Coming”. “Semetary” follows with it’s Ramones inspired opening cry and it’s Johnny Thunders swagger. “Roy’s on the Table” follows with crash course mix of early 80’s Power Cow Punk meets Social Distortions dirty boogie vibe. There is an overall grit and dirtiness going on here that leads me to think these guys have seen many a night both in front of and behind the bar. As each of these six bangers feature a good sense of story telling. While I made earlier comparisons to The Ramones and Johnny Thunders. Closer and more current comparisons can easily be made to Gaslight Anthem, The Legendary Shack Shakers and Desir Decirs’s brethren The Everymen.  Recorded and mixed by the very skillful hands of Mike Moebius at local legend Moonlight Mile Recording. The band will be heading back out on tour in January and plan to release a 7′ inch EP in early 2016. So be on the lookout. J.D.

Available Here

The Courtesy Tier – Little Rock Single

COURTESYTIER-LITTLEROCK-400It’s been quite some time since I’ve had the chance to really catch up with Brooklyn’s eclectic and admirably eccentric The Courtesy Tier. So much so, that I barely recognized the the dynamic duo of Omer Leibovitz and Layton (aka DJ Laytronic) Weedman have, with the addition of bassist Alex Picca, become a trio.

As I gazed into the bands latest three song offering I was immediately returned to the elements that always endeared me to the band. Their smart mix of Blues Rock, distortion and eccentric guitar noise always rewarded my quest for something unique and uniquely off center. A gift that sets them apart from many of their contemporaries. Often causing me to scratch my head, wondering “Are you sure this is from Brooklyn?”

In regards to these three songs. The Courtesy Tier have definitely opened up their sound by moving on to become a trio. While “Little Rock” and “Green” maintain the groups haunting, yet uplifting vibe. It’s “Childish Blues” that really triumphs. Reaping the rewards of bring bassist Alex Picca on board. It’s funky, fuzzy and downright dirty. Well done. Well done, indeed. J.D.

Available Here

 

Point Blank – Demo 7′ Inch

nly006My love and appreciation for the format known as the 7″ inch EP has never waned. That short, yet enduring burst of energy and emotion. The kind that nourishes the soul while leaving enough room to keep you yearning for more. The same can easily be said about the original demo format. So when a demo is good enough to warrant a vinyl resurrection. Chances are good that it’s going to produce rewarding results.

As more than thirty years have passed since I was an earnest Hardcore Kid from Queens, NY. That early to mid 80’s sound that New York bands such as Agnostic Front, The Abused, Antidote and Major Conflict created still resonates with me more than anything that came later. Point Blank more than honor that sound without making it feel like a nostalgic trip or gimmick. Easily done considering half the band served time in the early days of what was NYHC. With Dan (Danny Dog) Derella being an original member of Underdog and singer Ken E. Wagner spending copious amounts of time-serving on the front line of what become the New York Hardcore scene.

The imagery, packaging and most importantly, the sound draw the listener in. Reminding the listener of a time when Hardcore music drew influence from Punk. Yet to explore and eventually find itself more aligned with Metal.

A lot can be said about the simple, yet direct approach that set the early 80’s Hardcore sound so far apart from anything that had been created before it. Point Blank serve that approach rather well without sounding outdated or nostalgia driven. From the rolling bass that leads the attack of “No More” to the marching leads and directness of Ken’s higher pitched vocals on “Fuck Off”. These eight songs make this kid from Queens remember that, while NYHC may not have originated in Queens. The borough was responsible for some of it’s best output. Point Blank remind me of all the elements that made me love Hardcore in the first place… And that, my friend, is as good as a recommendation I can give. Thanks and praise go out to Not Like You records for making this happen. This is the same label that recently brought us  The Faction – “Pegged for Live” and McRad – “Lion Pure” J.D.

Available Here

 

Howlish – Outer

a2757182518_16Philadelphia’s Howlish are an ambient / alternative that has been playing together since 2014 when, still a very young band, released their debut EP “Open House”. Since that time, the quartet of Mark Watter – vocals/guitar, Karl Germanovich- bass, Taylor Cullen – drums and Brendan Sweeney – lead guitar have been making a name for themselves with shows up and down the East Coast. (a.k.a. The Best Coast) With their sophomore release “Outer” due out any day now on “Sniffling Indie Kids”. I was able to scoop up a copy to get a listen to what the future holds for Howlish, Sniffling Indie Kids and the rest of this big, flat world.

On their followup “Outer” Howlish create a spacious and atmospheric eight song gem. Moving slowly, though not without purpose with both skill and grace. The opener “Woods” moves along at a slugs pace, infiltrating the senses with it’s nurturing simplicity and dreamlike vibe. “Black Ice”, not to be confused or even seen on the same iceberg as AC/DC’s samely titled album and song follows with it’s shoe gaze meets dream pop leanings. Seemlessly solidifying “Outer’s” statement of purpose. There’s a sense of restraint throughout that has the listener wonder if these whispers are just heavily guarded screams waiting to emerge from their cocoons. My personal favorite “Fader” seems to beg the question in an even deeper sense with it’s engaging guitar eccentricities. “Outer” lifted this listener up in more ways then one. I’m glad I took the ride. J.D.

Howlish on Bandcamp                                                                                                                 Coming Soon

 

Morality Crisis – MASH

a1984523353_16Having followed the path of Minnesconsin’s Morality Crisis loosely for almost ten years now. I’ve come to expect certain things when agreeing to expose my ears to any and all offerings from the band. For me personally, Minority Crisis have always been a hard band to describe, or even fit in to any square or hole. Musically churning out noise that can be traced to Death Metal, Doom, Screamo and ever Power Violence. Dark, dissonant and downright scary at times. Powered by bowl shaking screams and growls that find light in the frequent chord changes and muscle bound riffs. The kind of stuff that makes you want to study the underbelly of society. The perfect soundtrack for a documentary exploring mental health issues. Featuring four songs, including the ambitious title track MASH which comes in at a ridiculous twenty two plus minutes. These noise warriors somehow managed to keep this listeners attention. Take it or leave it. It is what it is. And while MASH doesn’t seem to break any new ground for Morality Crisis. It more than fits in with 2006’s “Pharos Imperos” and 2013’s “Boats” in being the most notable releases in the bands catalog. And while the four song “MASH” didn’t make an immediate impact on me. Like much of their previous work. It definitely grew on me. If you like to swim in the muddy side of the lagoon. This just might be your kind of thing. J.D.

Available Here

Ajax – S/T 7″ inch EP

beir019Sometimes you can tell that you’re not going to like a record by not immediately knowing what speed it should be played at. In the case of Ajax. I had no fucking idea. After a couple of tries I decided ’45 might work best and moved in curiously with a somewhat open mind.

On the bands 2nd EP and follow-up to their debut 7″ inch on Katorga Works. Ajax  move to Beach Impediment Records looking to expand their brand of American Hardcore goes to the Swedish Institute of Barking Vocals Academy . While managing to display some sense of musicality in the musical sense . (Most evident in some of the guitar arraignments.) It’s the barked, gargle with razors vocals that dominate throughout. Making the most impression here… and that is, unfortunately, not good at all.

By the time it was the needle brought me to the end of ‘Paper Steel’. I really didn’t care. I just wanted to move to whatever else I could get my hands on. While these four songs feature decent lyrics and the cover art has a nice sense of weirdness about it. It’s the music that just falls flat on these ears. While many are drawn to this style. My tastes tend to use a gag reflex as a defensive mechanism in these matters. J.D.

Available Here

Jersey City’s Monty Hall Delivers The Metal Goods

Last night I had the rare opportunity to see one of my favorite bands “Kylesa” play an intimate show at Jersey City’s Monty Hall. The Savannah Georgia band has been a favorite of mine since I saw them perform at Hoboken’s Maxwells a few years back. While I had attended Monty Hall’s screening of the documentary “Salad Days” just weeks prior. This was the first time I had the opportunity to see live music. As we drove just a short distance to the show. We found ourselves sharing out memories of the original Maxwellls shows and how they always seemed to get booking right by simply not over booking. Thankfully, Monty Hall immediately reminds show goers of that friendly, well run venue.

Without much of any wait. Ontario Canada’s duo Indian Handcrafts got the party started. As their set progressed, I found myself regretting thinking Kylesa would be the only reason to show up that night. The band played an impressive set that served as a reminder of how you can make a lot of noise with a minimal approach. Drummer Brandyn James Atkins and Guitarist Daniel Brandon Allen traded vocals and their minimalist approach to Metal with impressive results. All while keeping my attention on high and my curiosity regarding their name guessing.

WFMU
Indian Handcrafts (Ontario, Canada) https://indianhandcrafts.bandcamp.com/
WFM2
Richmond, VA.’s Inter Arma http://www.relapse.com/label/artist/inter-arma.html#submenu

As Inter Arma began to take the stage like vikings ascending on a European village. I felt the energy that eluded me entirely during the day rush back. “I’m not too old for this.” “I’m not too old for this.” overwhelmed by thoughts as I surveyed the crowd to find more people of my age range than not. Visually, Inter Arma fir the profile of most of the Metal bands I’ve seen on milk cartons and in magazines over the years. The hair, black clothes, tattoos and dungaree jackets. You know, the usual suspects. Musically however, the Richmond quintet are a sound worthy of both praise and deeper investigation. While my eyes and ears were firmly devoted to Inter Arma’s set. I couldn’t help but think of seeking out any and all of their recorded history once the night was over. All the great qualities of the best metal I’ve heard in recent years. The night was just getting better and better.

Throughout much of the night I experienced something that seems to occur less and less at shows . Members of each band thoroughly enjoying and participating each of the other bands set amongst the crowd. Though that can easily be traced to the spaces intimate nature or perhaps the lack of a large enough room for the bands to chill out in between sets. Regardless, I felt it worth both mention and praise. I can’t begin to stress how hard it was to keep myself from walking straight into guitarist Laura Pleasants and revealing “I’m you figgest ban.” Lucky for all involved, that embarrassment never took place. Instead, I waited until Kylesa’s set took flight before completely losing my shit. While it’s important to note that Savannah, Georgia’s Kylesa are responsible for rekindling my appreciation for Metal and in particular Sludge Metal and Stoner Metal. Watching the band perform such deviant noise live is pure fucking magic. The bands latest album “Exhausting Fire” Here worth more than it’s weight in metallic elements. One can only hope that their tour (Dates Posted Here) them back our way before it’s done.

Kylesa

KylesaII

Sticker Shock; Crippled Youth / BOLD

By now I should be used to my neighbor and good friend stopping by with a little gift or surprise every now and again. What initially started as an invite to lunch for a few freelancers in the building a little over a year ago, quickly burgeoned into a friendship that has continued to flourish as my first year here has come and gone. So when he knocked on my door moments after we returned from a weekend trip. I can’t say I was a bit surprised. When he brought his hand out of his back pocket to reveal a Crippled Youth sticker. 3-0001It’s easy to say, I was grasping for the words to express why I was taken back almost thirty years ago when I first purchased my Crippled Youth “Join the Fight” 7′ inch and accompanying sticker at the legendary Some Records. While by no means were Crippled Youth one of my favorite HXC bands. They played one of the first Hardcore matinees I ever attended. Soon after, perhaps due to the urging of friend and Youth of Today frontman Ray Cappo. They would change their name to BOLD and go on to release one full length “Speak Out” and a self titled 7″ on Revelation Records. As I mentioned before Crippled Youth / BOLD were never personal favorites. However, being that “Join the Fight” was one of my earlier Hardcore records and more important, how I lost it when a close friend who had borrowed my copy just weeks before when he unexpectedly went to prison for a vicious murder. It remains ever-present in my mind as part of my history. Seeing that sticker for the first time in more than twenty-five years jogged a lot of memories both good and bad. Being that it came from someone who has become such a good friend brought a sense of closure. Amazing how often people with shared common interests and histories can be found just down the hall . Thanks Kevin. J.D.

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