Jersey City’s Monty Hall Delivers The Metal Goods

Last night I had the rare opportunity to see one of my favorite bands “Kylesa” play an intimate show at Jersey City’s Monty Hall. The Savannah Georgia band has been a favorite of mine since I saw them perform at Hoboken’s Maxwells a few years back. While I had attended Monty Hall’s screening of the documentary “Salad Days” just weeks prior. This was the first time I had the opportunity to see live music. As we drove just a short distance to the show. We found ourselves sharing out memories of the original Maxwellls shows and how they always seemed to get booking right by simply not over booking. Thankfully, Monty Hall immediately reminds show goers of that friendly, well run venue.

Without much of any wait. Ontario Canada’s duo Indian Handcrafts got the party started. As their set progressed, I found myself regretting thinking Kylesa would be the only reason to show up that night. The band played an impressive set that served as a reminder of how you can make a lot of noise with a minimal approach. Drummer Brandyn James Atkins and Guitarist Daniel Brandon Allen traded vocals and their minimalist approach to Metal with impressive results. All while keeping my attention on high and my curiosity regarding their name guessing.

WFMU
Indian Handcrafts (Ontario, Canada) https://indianhandcrafts.bandcamp.com/
WFM2
Richmond, VA.’s Inter Arma http://www.relapse.com/label/artist/inter-arma.html#submenu

As Inter Arma began to take the stage like vikings ascending on a European village. I felt the energy that eluded me entirely during the day rush back. “I’m not too old for this.” “I’m not too old for this.” overwhelmed by thoughts as I surveyed the crowd to find more people of my age range than not. Visually, Inter Arma fir the profile of most of the Metal bands I’ve seen on milk cartons and in magazines over the years. The hair, black clothes, tattoos and dungaree jackets. You know, the usual suspects. Musically however, the Richmond quintet are a sound worthy of both praise and deeper investigation. While my eyes and ears were firmly devoted to Inter Arma’s set. I couldn’t help but think of seeking out any and all of their recorded history once the night was over. All the great qualities of the best metal I’ve heard in recent years. The night was just getting better and better.

Throughout much of the night I experienced something that seems to occur less and less at shows . Members of each band thoroughly enjoying and participating each of the other bands set amongst the crowd. Though that can easily be traced to the spaces intimate nature or perhaps the lack of a large enough room for the bands to chill out in between sets. Regardless, I felt it worth both mention and praise. I can’t begin to stress how hard it was to keep myself from walking straight into guitarist Laura Pleasants and revealing “I’m you figgest ban.” Lucky for all involved, that embarrassment never took place. Instead, I waited until Kylesa’s set took flight before completely losing my shit. While it’s important to note that Savannah, Georgia’s Kylesa are responsible for rekindling my appreciation for Metal and in particular Sludge Metal and Stoner Metal. Watching the band perform such deviant noise live is pure fucking magic. The bands latest album “Exhausting Fire” Here worth more than it’s weight in metallic elements. One can only hope that their tour (Dates Posted Here) them back our way before it’s done.

Kylesa

KylesaII

Helvetia – Dromomania

imgresBeing able to embrace your own weirdness and individuality is one of life’s truest gifts. As an artist, or in the case of Seattle’s Helvetia. Embracing these sometimes underrated traits has been quite rewarding. Since their 2006 debut Static Cult Label release ” The Clever North Wind”. Helvetia have been honing their impressive, Lo-Fi experimental sound with excellent results. Proving it doesn’t take a nation to write great songs with a quirky appeal. On “Dromomania”, Helvetia’s second release on Joyful Noise. (The first since 2012’s ‘Nothing But Rambling’.) these weirdos create an awesomely trippy vibe. Overall, these songs are all over the place. Dropping something spaced out and eccentric wherever they go. While I felt varying influences from Sebadoh to Half Japanese to They Might Be Giants throughout. “Dromomania” and Helvetia are manning a rocket ship all their own. To quote my good friend Ev Gold of Cinema Cinema, “You have to be willing to surrender to the trip.” I’m glad I did. It was well worth it. “Dromomania” features twelve tracks and runs a good thirty seven or so minutes. A nice investment in time, if you ask me. J.D.

Available Here

Strife – Incision

war001“Incision” features four new tracks that continue Strife’s legacy as one of the best Hardcore acts to come in the last twenty plus years. The release also marks first on War Records, a new label owned by Strife’s guitar player, Andrew Kline. And while these four songs match up very well with what we’ve come to expect from the band. “Incision” doesn’t exactly set itself apart from anything the band has written in the past. Making this feel like a mere pit stop in what has been an incredible race. In addition, pressing and pricing what is essentially an EP as an LP leaves to question whether or not to invest in the vinyl version. In my case, I was quite disappointed when mine arrived with no download code. I could have saved a few dollars as well as some shelf space downloading this from iTunes. While Strife remain an important cog in my appreciation for Hardcore and the bands who continue to fly that flag. With the lack of listening options provided. “Incision” will most likely end up in a pile with all of the other records I rarely pull out of the shelf. J.D.

Available Here

 

 

Radkey – Dark Black Makeup

Sometimes it’s hard to keep track of all of the new bands Radkey-2015-Dark_Black_Makeup_coverout there in the sea of constant new releases. It’s nice to run across one that really stands out. Radkey has been around for about 5 years now and have released a series of ep’s and singles, but “Dark Black Makeup” marks the full album debut from the Midwest trio consisting of brothers Solomon,Dee, and Isaiah Radke who all range in age from 17 to 21, the fact of which is more of an interesting side note than a novelty.

Those just discovering the band will find that they capture a garage rock vibe with an emphasis on heavy fast melodic punk with a healthy dose of straight up rock and roll all wrapped up together in an incredibly catchy package (See: title track, Feed My Brain, Romance Dawn). If I had to pick one term to use for them, I think “skate punk” would be an apt description.

Radkey@ Mercury Lounge 2014 photo Jason House
Live@ Mercury Lounge 2014 photo Jason House

The vocals are inescapably Danzig-esque, a comparison Dee (vocals/guitar) likely embraces as can be seen on the rather Vampira-esque “Le Song”, but it comes off as more of a tip of the hat than an attempt to copy or a one trick pony. It’s actually an interesting choice to go with clean sung vocals rather than screaming, which has become the norm. Not that there’s isn’t a time and place for that, but I think it makes them a little more approachable and works well with the band as a whole, especially for the harmony parts. Their obvious dedication to their music is refreshing and their youthful energy makes them a must see live band. -J.House

Radkey will be appearing w/ Soda Bomb + The Teen Age at The Studio@ Webster Hall 10/7/15

http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=6093405&pl=webhall&REFID=whsite

Some audio samples

Dark Black Makeup now on Little Man Records. Available through the band’s website, record stores, and Itunes.

http://radkey.net/
https://itunes.apple.com/us/artist/radkey/id437421826

Human Overdose – Demo 2015

a2658591062_16Binghamton strong! Human Overdose get my vote for Best Band Name of 2015. The band enters the fray with an eight song Man is the Bastard, Neurosis, Infest influenced Power Violence, Grind core ripper that’s fast loud and angry. While I’ve never found anything remotely inspiring about this form of musical abuse. I can count on many who find inspiration in bands of this ilk. In the case that you find inspiration or common ground in the aforementioned acts. Take a bite. This is right up your end zone. J.D.

Available Here

Delete History – S/T

Remember when Straightedge gangs roamed the streets of upstate NY enforcing curfews and wrecking havoc on those who failed to adhere to the ten commandments of living a clean and sober lifestyle. No? Me either. My only memories of the area is the tasty burritos I enjoyed while passing through the cold, unforgiving streets of Binghamton.

a0085006166_16Delete History offer something quite interesting and tangible with this six song offering. The band collects local Binghamton musicians Guitarist/Singer Dave Garris, Bassist/Singer Kyle Serlington and Drummer Jason Kruger. Coalescing to form an impressive Hardcore unit.  A notable follow up to their 2013 self titled ten song debut. Delete History may just overshadow what they’ve accomplished with prior bands Sepsis, The Serlingtons and             Intoxicated Youth. Musically, Delete History are both chaotic and melodic. Fast paced Hardcore led by Guitarist / Singer Dave Garrris. I was especially impressed with the songs emotive vocal approach. Powerful, yet not overpowering. Emotive, yet not syrupy like many bands associated with the term Emo. The driving guitar leads spearhead the attack. Carving a path for the chaotic rhythms you’ll here on these songs. Excellent stuff. J.D.

Available Here

Sand in the Face – Music Made to Riot; New Jersey Hardcore 1982- 1983

Music Made to Riot collects the very earliest recordings of Montville, NJ’s Sand in the Face.             Largely recorded at Boonton, NJ’s Mix-O-Lydian Studios. The same studio that had already given us The Misfits “Walk Among Us”.The demos within feature the pre-LP lineup of                 Pete (Aaron) Wegele, (bass, vocals) Paul Schraft (vocals, guitar) and Mark “Munk” Lombardi, who sadly died of cancer in 2010 on drums.I found this to be a fun and quick listen. matw1204
A good time capsule highlighting the first wave of NJ Hardcore (Something I believe to be criminally overlooked.) Overall the tracks are what you’d expect from a young band getting to know themselves as well as their musicianship in the early days of Hardcore. A trio of high school kids getting to know their sound while working in the studio for the first time. Snotty, mid to fast paced teenage anthems A sound akin to such contemporaries Adrenaline O.D. and Bedlam. “Music Made to Riot” compiles eighteen tracks in all and  is accompanied by detailed liner notes written by Wegele himself. His dedicating the release to his departed friend and band mate is, to say the least, touching. Limited to 600 copies. My one complaint, if any, is that this did not come with a digital download. Something that would have come in handy when compiling my New Jersey Hardcore mix tape. J.D.

Available Here

Done Dying – We Dream Or We Die….

wsr013After two stellar and well received 7 inches. Done Dying return with the debut full length “We Dream or we Die.” Featuring outspoken singer/author Dan O’Mahoney (No For An Answer, 411, Speak 714), Mike Hartsfield (Outspoken, Freewill), Chris Lohman (Backspot) and Kevin Painter (Speak 714). Done Dying establishes itself quickly as much more than a collection of Hardcore all stars looking to relive old glories on the dance floor or cash in on past accomplishments.

Their debut full length deserves high praise. Sounding somewhat like a cross between the power of Cro-mag’s “Age of Quarrrel” and the melodic strengths of Ignite’s “Call on My Brothers”. This is a record that clicks on all gears. Each of the eleven songs here sound vital. While “We Dream of we Die” brings each one together to form a cohesive statement of purpose. “Hear to Stay. Built to Last.”  This very easily might be my favorite HXC album in years. While it reminds me of everything that made me fall in love with Hardcore in the 80’s. It more than satisfies my need for a reason to appreciate the music that is still being released in the present. A+ J.D.

Available Here

H2O – Skate

b9r229Seven years after their 2008 release of “Nothing To Prove”.     H2O offer a two song teaser in preparation for their forthcoming October full length Bridge Nine Records release “Use Your Voice”. The A side and album title “Use Your Voice” is a fast paced anthemic sing along  with some cool energy and high octane guitar leads. Side B’s “Skate”, featuring skate and punk legend Steve Caballero picks up the pace, it that is at all possible. Both serving as the perfect trailer for the upcoming full length.

What H2O has always lacked in originality and hardcore prowess. They’ve more than make up for in energy, sincerity and dedication to creating positive, uplifting Hardcore. And while I will most likely never appreciate their music as anything more than tribute. I can have fun singing along once in a long while. Until the album… Don’t forget to skate. J.D.

Available Here

Undertow – Everything

ind65Undertow were a Seattle Straightedge band who released a number of 7′ EP’s (Including splits with Resolution and Struggle.) and a sole LP in the early 90’s and 2,000’s. Their overall sound reflected that of many of the bands Hardcore bands of the time as well as the ones on the rosters of the label who released this material. (Indecision Records) Undertow became very influential in the Seattle Hardcore scene at a time when Grunge had captured the attention of millions. The bands sound was a heavy mix of Metallic Hardcore with dark rhythms. TheirThe 2XLP comes in a gatefold cover that opens up to some excellent live photos of the band. There is also an inlet sporting lyrics to each and every song. An interesting side note worth mention is while this is advertised to feature colored vinyl. Only one of the two LP’s features the color blue. With the other being on the traditional black color. (Black is a color, right?) A possible mistake that gave this collection an oddball quality. As for the music, this was, like many metal core bands of the era, unappealing to me. Please note before buying that this does not feature a download card. J.D.

Available Here